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Dear "Ginge", Love Fred: Fred and Ginger's Correspondence

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                 For one of cinema's most beloved screen partnerships, we don't know a whole lot about Fred Astaire and Ginger Rogers's offscreen relationship. Of course, there are the usual rumors. They hated each other! They were in love! As for hating each other, they spent their whole lives trying to disprove that one. Watch any interview of Fred in the 70s or 80s when he gets the inevitable "who was your favorite partner?" question. He'll try and avoid it for a while, but eventually the conversation always comes around to Ginger, who "had style and talent and improved as she went along. She got so that after a while everyone else who danced with me looked wrong." Fred's words.             After their final movie together in 1949, The Barkleys of Broadway , all evidence shows that they stayed close. When they couldn't be together, dancing at parties or having dinner with their mutual friend and...
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Airborne Adventuress: Katharine Hepburn in Christopher Strong (1933)

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            The theme of this CMBA blogathon, Blogathon and the Beast, includes "complex protagonists who challenge social norms" - and what could challenge social norms more than Katharine Hepburn, directed by a woman, playing an Amelia Earhart-inspired character in Christopher Strong ?              Christopher Strong is a misleading title for this movie, because it's really about three women. True, their lives are intertwined through their relationships with Christopher Strong, but the film is constantly showing us that they can do without him. Pre-Code heroines already tend to be independent and self-sufficient - put a woman behind the camera, and suddenly the movie examines what these women can achieve when men aren't holding them back.             Dorothy Arzner began her career as a script writer and editor who became so valuable to Paramount Studios that s...
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Star-Crossed Screen Pairs: Errol & Olivia

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                   To me, nothing says soulmates like co-starring in a string of movies. And yes, I know that screen teams were set up by studio executives and had no real control over whether they made two films together or ten. But some on-screen couples had off-screen chemistry, and it just begs the question of what might have been.                Errol Flynn and Olivia de Havilland made eight movies together between 1935 and 1941. Beloved by audiences for their charm, wit, swashbuckling, and screen chemistry, their adventure romances were some of Warner Brothers' biggest hits of the late 1930s. After their partnership ended, Olivia went on to win an Oscar while Errol faced a steady decline in both health and reputation. However, for a few shining years, they were Hollywood's golden couple. Of all the co-stars who never got together, Errol and Olivia might have been the closest.  ...
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Dress in Detail: the "Sabrina" Party Dress

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            I recently watched Sabrina for the first time and fell in love with the costumes (which is easy to do when they're designed by Edith Head and worn by Audrey Hepburn). The most famous gown from the film is the one I'm analyzing for this article - my fourth Dress in Detail! If you haven't read my others, you can check out the Scarlett O'Hara dress , the "I Don't Care" dress , and the "Never Gonna Dance" dress here!               Audrey Hepburn is well-known for her status as a fashion icon. She regularly worked with European fashion houses, and her stardom helped launch some of these designers to the same level of fame. Audrey's tendency to favor these expensive foreign designers sometimes caused friction with her costume designers, which is exactly what happened on the set of Sabrina .                Edith Head was the official costume desi...
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Lovely to Look At: Roberta (1935)

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              After their success in Flying Down to Rio and the Gay Divorcee , Fred Astaire and Ginger Rogers were teamed for the third time in 1935's Roberta . Strangely enough, the duo was billed under star Irene Dunne and relegated to comedic relief. They only dance together twice in the film - but those two dances are some of their best work.               Fred plays Huck Haines, a band leader from Indiana who's been hired to play a gig in Paris. He brings his band overseas only to discover he's out of a job because the man who hired Huck's Indianians wanted Indians instead. Huck and his friend John (Randolph Scott) remember they both know people in Paris who might be able to help them out - Huck's childhood neighbor Lizzie Gatz and John's Aunt Minnie, known as the famed dress designer Roberta.               The band shows up at Roberta's where they meet Step...
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The Magic of Ginger Rogers in Top Hat (1935)

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                 A few days ago, on July 16, Ginger Rogers would have been 112 years old. A regular kid who turned dance champion then Broadway star then Hollywood sensation, Ginger inspired generations of movie audiences. She fought for fair pay for female actresses, spoke out about the man's world that was - and still is - Hollywood, and showcased a rare combination of comedic timing and musical talent. Ginger's onscreen characters are a magic blend of clever, witty, emotional, and genuine - and it's hard to find a more classic Ginger character than Top Hat 's Dale Tremont.               Dale's first appearance is in a gloriously ruffly nightgown, rising from her palatial hotel bed to the sound of tap dancing. In normal circumstances, she'd probably be tap dancing too, but right now she's trying to sleep. Fred Astaire giving himself a solo in the room upstairs isn't helping. She marches upst...
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Why I Love... The Philadelphia Story (1940)

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              "Hello, friends and enemies." Oh, The Philadelphia Story . One of the best romantic comedies out there, Old Hollywood or not. With a cast of familiar favorites, filled with one-liners and Oscar-winning acting and Jimmy Stewart singing "Over the Rainbow," it's hard not to love this movie.             After Top Hat , this was the second classic film I watched, and the one that I've rewatched the most. It also has one of the most compelling backstories. Katharine Hepburn, spurred by a late 1930s lull in her popularity (which included a feature on 1938's list of "Box Office Poison" actors), had made her way to New York City to return to her Broadway roots. In 1939, she was starring in Philip Barry's play The Philadelphia Story, which he had written specifically for her. The show was a smash hit, and completely reversed the Great Kate's negative publicity - the only remaining question was,...
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