Filmland Follies

            The theme of this CMBA blogathon, Blogathon and the Beast, includes "complex protagonists who challenge social norms" - and what could challenge social norms more than Katharine Hepburn, directed by a woman, playing an Amelia Earhart-inspired character in Christopher Strong ?              Christopher Strong is a misleading title for this movie, because it's really about three women. True, their lives are intertwined through their relationships with Christopher Strong, but the film is constantly showing us that they can do without him. Pre-Code heroines already tend to be independent and self-sufficient - put a woman behind the camera, and suddenly the movie examines what these women can achieve when men aren't holding them back.             Dorothy Arzner began her career as a script writer and editor who became so valuable to Paramount Studios that s...

              Doesn't that poster just say it all? Pre-Code murder mysteries are a special kind of madness - the usual formula includes a sassy reporter trying to make her way in a man's world, inevitably stumbling into a murder (and a romance). She's your everyday career girl but somehow dresses like a model, isn't afraid to confront creepy guys lurking in basements, and cracks cases as easily as one-liners.             A Shriek in the Night followed this well-loved storyline, proving the biggest hit that independent "Poverty Row" studio Allied Pictures would ever release. Its success was mostly due to Ginger Rogers, fresh out of 42nd Street and Gold Diggers of 1933 and about to become a worldwide sensation in Flying Down to Rio . Despite her undeniable screen presence and comedic timing, A Shriek in the Night doesn't make full use of Ginger's talents - it's more of a preview for what's to come.  ...

             Since it began in 1928, RKO Radio Pictures was a B-movie factory. As fast as they could find a hundred chorus girls and a script, they'd be in production - often for a mere three weeks before the film raced into theatres. Most of these attempts were flops, a few turned newcomers into stars, but every so often they'd land on a smash hit. Flying Down to Rio , a pre-Code B-movie musical, ended up launching an era.               Like most B-movies, it followed the common advertising formula - "Stupendous musical! 200 beauties!" It promised audiences an exotic South American summer, complete with sunny beaches, catchy songs, and chorus girls performing airplane stunts. They got what they bargained for - and then some. Special effects, including ghost-like clones of the characters representing their inner thoughts. Dolores del Rio, a Mexican actress considered the first and biggest Latin America...

               What to do on a long car ride but find a new (old) movie? This 4th of July weekend, I was en route to the beach with my sister. (Nothing says “siblings” like listening to Edith Piaf while your sister’s listening to Dua Lipa. Levitating/ Non Je Ne Regrette Rien mashup, anyone?) I stumbled upon Finishing School and immediately had to watch it: it’s a Ginger Rogers movie that I hadn’t seen, and sassy-pre-Code-bad-girl Ginger makes any film worth watching.                  A quick Wikipedia of Finishing School will tell you that it was one of the last movies to slip out before the Hays Code was implemented in June of 1934. As soon as it was released, it was banned by the Catholic Legion of Decency, the masterminds behind cinema censorship. (You know how banned books are always recommended for how good they are? Same rules apply.)            ...