Filmland Follies

            The theme of this CMBA blogathon, Blogathon and the Beast, includes "complex protagonists who challenge social norms" - and what could challenge social norms more than Katharine Hepburn, directed by a woman, playing an Amelia Earhart-inspired character in Christopher Strong ?              Christopher Strong is a misleading title for this movie, because it's really about three women. True, their lives are intertwined through their relationships with Christopher Strong, but the film is constantly showing us that they can do without him. Pre-Code heroines already tend to be independent and self-sufficient - put a woman behind the camera, and suddenly the movie examines what these women can achieve when men aren't holding them back.             Dorothy Arzner began her career as a script writer and editor who became so valuable to Paramount Studios that s...

              After their success in Flying Down to Rio and the Gay Divorcee , Fred Astaire and Ginger Rogers were teamed for the third time in 1935's Roberta . Strangely enough, the duo was billed under star Irene Dunne and relegated to comedic relief. They only dance together twice in the film - but those two dances are some of their best work.               Fred plays Huck Haines, a band leader from Indiana who's been hired to play a gig in Paris. He brings his band overseas only to discover he's out of a job because the man who hired Huck's Indianians wanted Indians instead. Huck and his friend John (Randolph Scott) remember they both know people in Paris who might be able to help them out - Huck's childhood neighbor Lizzie Gatz and John's Aunt Minnie, known as the famed dress designer Roberta.               The band shows up at Roberta's where they meet Step...

                 A few days ago, on July 16, Ginger Rogers would have been 112 years old. A regular kid who turned dance champion then Broadway star then Hollywood sensation, Ginger inspired generations of movie audiences. She fought for fair pay for female actresses, spoke out about the man's world that was - and still is - Hollywood, and showcased a rare combination of comedic timing and musical talent. Ginger's onscreen characters are a magic blend of clever, witty, emotional, and genuine - and it's hard to find a more classic Ginger character than Top Hat 's Dale Tremont.               Dale's first appearance is in a gloriously ruffly nightgown, rising from her palatial hotel bed to the sound of tap dancing. In normal circumstances, she'd probably be tap dancing too, but right now she's trying to sleep. Fred Astaire giving himself a solo in the room upstairs isn't helping. She marches upst...

              It's cold and gloomy, at least where I am, and the perfect weather for some film escapism. Think bright colors, shiny costumes, sweeping landscapes, and a beloved storyline with even more beloved stars - in short, The Adventures of Robin Hood .               At this point in their careers, Olivia de Havilland and Errol Flynn were quickly-rising stars. This was their third movie together after the successive hits Captain Blood and The Charge of The Light Brigade . Olivia was 22 years old, making $500 a week (equal to $10,000 now), and gaining control over her on-screen persona. Robin Hood was a chance for her trademark witty heroine to shine through, helped along by her best screen partner Errol Flynn.                The movie follows the classic story of Robin Hood as he swordfights his way across Sherwood Forest, takes down the tyrannica...

              Doesn't that poster just say it all? Pre-Code murder mysteries are a special kind of madness - the usual formula includes a sassy reporter trying to make her way in a man's world, inevitably stumbling into a murder (and a romance). She's your everyday career girl but somehow dresses like a model, isn't afraid to confront creepy guys lurking in basements, and cracks cases as easily as one-liners.             A Shriek in the Night followed this well-loved storyline, proving the biggest hit that independent "Poverty Row" studio Allied Pictures would ever release. Its success was mostly due to Ginger Rogers, fresh out of 42nd Street and Gold Diggers of 1933 and about to become a worldwide sensation in Flying Down to Rio . Despite her undeniable screen presence and comedic timing, A Shriek in the Night doesn't make full use of Ginger's talents - it's more of a preview for what's to come.  ...

               Here I am with another Dress in Detail costume analysis! (If you missed my others, on Judy Garland's "I Don't Care" dress and Ginger Rogers's "Never Gonna Dance" dress, give them a read!) I must confess to you that I've never seen Gone With the Wind , but the costume design is legendary. Walter Plunkett (who I just featured in my Singin' in the Rain article) was the mastermind behind the extravagant, historical costumes of this film - and none were grander than Vivien Leigh's. I'll be taking a closer look at the famous red dress from the birthday party scene which perfectly sums up the character of Scarlett O'Hara.             The "Scarlett" dress is meant to be a showstopping attention-getter, slightly scandalous for the 1870s. It certainly achieves its goals. The design for this costume was meant to be wildly different from both what the other characters were wearing and what Scarlett...

             Since it began in 1928, RKO Radio Pictures was a B-movie factory. As fast as they could find a hundred chorus girls and a script, they'd be in production - often for a mere three weeks before the film raced into theatres. Most of these attempts were flops, a few turned newcomers into stars, but every so often they'd land on a smash hit. Flying Down to Rio , a pre-Code B-movie musical, ended up launching an era.               Like most B-movies, it followed the common advertising formula - "Stupendous musical! 200 beauties!" It promised audiences an exotic South American summer, complete with sunny beaches, catchy songs, and chorus girls performing airplane stunts. They got what they bargained for - and then some. Special effects, including ghost-like clones of the characters representing their inner thoughts. Dolores del Rio, a Mexican actress considered the first and biggest Latin America...